But it seems clear at this point that Paramount believes that it’ll be able to make a return on its investment, so it’s just a matter of where the show eventually lands, not if the new season gets created.
Unless they do like WB did for Batgirl, and shitcan the entire thing permanently after production is complete, for a tax write-off.
I don’t think Netflix actually cancels shows after two seasons any more often than other networks do.
Somehow people got it into their heads that Netflix is far more cancel-happy than its competitors, but if you look at the numbers, traditional TV networks have had like a 50% cancellation rate for decades.
Even TOS was cancelled after two seasons!
If Netflix is more prone to cancelling shows at all, which I’m not convinced is even true, it can’t be by an enormous margin.
There was an article a few weeks ago about how Netflix only has about a 15% cancellation rate. Unfortunately there was no deep dive into the data, so the figures are suspect. A few factors that weren’t considered:
A very significant percentage of Netflix programming is reality TV and cheap junk. This doesn’t get cancelled because well, it’s cheap.
Many series don’t get cancelled, they just aren’t renewed. If Netflix tells the producers this is the last season, they’re gonna rush the storyline to some kinda ending regardless of whether it was originally supposed to stretch several more seasons.
I would rather a rushed ending than to be left hanging (unless they’re going to do a movie or something)
Maybe the last few years are better, but through the late 2010s Netflix very much looked at the per episode drop off rate for viewers and used that to determine if a show would continue to pull in viewers and get renewed. They were quite aggressive and then when other streaming services started coming into play they aggressively tried cutting costs off dead shows and burned a lot of people.
I saw this article first, but startrek.com has an announcement with a couple of brief quotes:
“Thank you to our incredible Star Trek: Prodigy fans, who championed not just a show, but a community that’s always been connected by the belief that we build a better future together,” said executive producer Alex Kurtzman and co-showrunners Dan and Kevin Hageman. “We set out to inspire you, but you inspired us. The team is still hard at work on the second season, and we can’t wait to share it with the amazing fans around the world.”
“I’ve always held that the Star Trek fan base is among the strongest and most intelligent in the world. They have shown their collective passion, and we’re happy to be able to celebrate Prodigy once again,” said Kate Mulgrew, voice of Admiral Janeway.
Excluded from the deal are Canada, where Prodigy is carried by CTV.ca and the CTV App, and in SkyShowtime’s European territories: the Nordics, the Netherlands, Portugal, Spain and Central and Eastern Europe.
Yeah, their ads are a lot more aggressive than they used to be. I recently started watching SkyMed with my wife and it's nearly unbearable - and they want $5/month to get rid of them. At least cable didn't just play the same 6 ads over and over. :/
Wow, Canada must charge a lot more for cable than the US then. When I cut the cord in 2012 I was paying about $60 USD per month. I just got an offer for $70/mo for 2 years. You are paying more then that at least.
I was paying $120ish for cable in 2014 (not including cable internet, with that it was nearly $200). We would have cut the cord earlier, but without cable our internet went way up and we may as well have had cable too.
Weird that it’s excluded in Canada - since it won’t be streaming on Crave as well as broadcast on CTV Sci-fi.
Up to now, Netflix has been able to get the streaming rights to CTV Sci-Fi Channel shows if Crave doesn’t take the complementary streaming portion of the Canadian market.
Love to see success stories like this, hopefully this’ll kick things into motion for SAG-AFTRA’s success
One thing I noticed is no one from Paramount was mentioned to be at the negotiations starting on the 20th even though they’re in AMPTP, wonder why (then again a lot of other people in AMPTP wern’t there but they’re still pretty big so idk)
Starting on September 20, after a studio fumbled restart in August, Warner Bros Discovery’s David Zaslav, Netflix’s Ted Sarandos, NBCUniversal’s Donna Langley and Disney’s Bob Iger finally sat down directly with WGA chief negotiator Ellen Stutzman, as well as former guild presidents David Goodman and Chris Keyser and other members of the WGA Negotiating Committee in hopes of a breakthrough.
Yeah, Paramount’s CEO, Bob Bakish, seems to have largely sat the strikes out, only popping up in the news once or twice to say he wanted to see them resolved. It’s interesting.
"Too early" is cliché, but based what she had given us there was so much more she likely would have contributed in the future. Plus the kids losing their mother. That sucks.
Many of the issues involved in the union’s 11-week film and TV strike are common to those in the video game contract, including wages and artificial intelligence.
The 10 companies facing a possible strike are:
Activision Productions Inc., Blindlight LLC, Disney Character Voices Inc., Electronic Arts Productions Inc., Epic Games, Inc., Formosa Interactive LLC, Insomniac Games Inc., Take 2 Productions Inc., VoiceWorks Productions Inc., and WB Games Inc.
deadline.com
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