Maybe. What makes the thing scary is how unstoppable and inevitable of a force it is, no matter what you do and no matter where you go. I’ll be disappointed if they somehow find a way to kill it in the sequel.
Until it happens to befall a depressed or suicidal person who just goes “fuck it” and let’s it catch up. What then? The curse cannot be passed on so it’s essentially just over forever, right?
Understanding it or figuring out where it came from would be even worse than killing it. The characters knowing almost nothing except what they observe directly is what makes it so terrifying.
It also functioned well as a metaphor for growing up/loss of innocence. I’m not sure how well it will go trying to explore that theme further using the same metaphor.
They didn’t even get through an entire movie without ruining that mystique. It wasn’t very “unstoppable and inevitable” when it was just standing on the roof of a house, or when it just grabbed that girl by the hair but failed to do any damage.
This is almost always the case with sequels and IS always the case with reboots and remakes. Nobody can come up with original material anymore apparently.
I think a lot of the pushback that he’s getting from it is mostly to do with the level of snobbery that it was said with.
It’s incorrect anyway, because by what metric are movies judged other than revenue? He might as well have said that book adaptations don’t count either because they’re not original works.
It’s just a bizarre thing to have commented on, what was the point? If he makes a movie and it’s good, and it’s not as if he’s bitter because he’s made plenty of good movies, people will watch it. There was no reason to have a go at Marvel. If you want crap superhero movies look at DC stuff.
One of the comments said they can’t get through any Scorsese movies but I can and have enjoyed them too. I also think there’s room for superhero movies and enjoy them too.
It’s like the poor argument that some people make against Andor saying “it’s not Star Wars”. Extremely short-sighted in a vast galaxy to explore that can come from different angles. Personally, Andor is the best Star Wars. I don’t think it all needs to be like Andor, as there’s room for Jedi, Sith and light sabers, but it is a testament to the quality the property can achieve.
I was so shocked at how good it was, I only watched it recently and thought it’s probably some old religious movie. But dayumn I loved it, and can totally see why Keanu said he’d love to see a sequel.
The actors’ strike is unique in that compromising on AI kills the existence of their profession. Once their likeness and voice can be replicated by machines, they are all fired and have zero job prospects moving forward.
TPTB will churn out endless drivel at zero cost, pay actors nothing, and drown the world in more shallow, meaningless deepfake AI culture.
They didn’t go after the Arts first. They’re just able to go after them now. People in tech have watched their jobs get slowly eaten away by automation for over a decade now. And factory workers for longer than that.
drown the world in more shallow, meaningless deepfake AI culture
I find the imagery of a bunch of people entertaining themselves to death while non-sentient automated machines pump video into their eyeballs so deeply creepy that I’d like to assume it could never happen on a large scale, since a feeling of “connection” is kind of a big part of art consumption.
But part of me also knows that there will be a non-inconsequential part of society that wouldn’t have any problems with it.
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