The Girl I Left Behind Me - Jonathan Eastman Johnson (1875) (upload.wikimedia.org)
An Iranian girl beside the window by Iman Maleki (1976) (i.postimg.cc)
Common Wood Fairy (sh.itjust.works)
Shanghai Showers by Christopher Reid, Watercolor, 2019 (i.ibb.co)
Artist’s FineArtAmerica Page
Identitychrist - Joseph Lee (2018) (www.minus37.com)
It was at the age of 25 when Joseph’s love for the craft blossomed. As a creative and struggling actor in Los Angeles, he found art as a way to express himself freely. Painting became his way of being creative in a buzzing city and being grounded and mentally refreshed. After a year of trial and error and honing his technical...
Bridges across the Seine at Asnieres - Vincent van Gogh (1887) (upload.wikimedia.org)
Here we can see van Gogh’s style point at something to come later - cubism. Typically his style is longer strokes, ie Starry Night, to convey motion or movement of light. Here however his strokes are short - almost to pointillism, but this predates cubism by nearly 20 years.
On the Rim - Steven Nass (1994) acrylic (d3rf6j5nx5r04a.cloudfront.net)
Two Crabs - Vincent Van Gogh (1889) (upload.wikimedia.org)
The Lute Player - Dirck van Baburen (1622) Oil on canvas (upload.wikimedia.org)
Piotr Jablonski, "Untitled" (lemmy.world)
Rupture - Jenny Saville (2020) acrylic and oil on linen. (gagosian.com)
Cape Cod Evening, 1939 - Edward Hopper (1882 - 1967) (flashbackshop.com)
'Within the Sacred Wood' (oil on canvas) by Edward Rebek (lemmy.ml)
Found here
Elohim Creating Adam - William Blake (1795) (media.tate.org.uk)
tate.org.uk/…/blake-elohim-creating-adam-n05055...
Married, Walter Sadler (1896) (i.imgur.com)
Cast Shadows by Émile Friant (1891) (i.imgur.com)
'Element 115' collage by Eugenia Loli (lemmy.ml)
cross-posted from: lemmy.ml/post/4767679...
Canaletto - View of the Arch of Constantine with the Colosseum (1745) (i.postimg.cc)
Encounter - Frank Frazetta (1989) pencil, pen and ink and watercolor (www.frazettamuseum.com)
Cover study for the Writers of the Future book series.
Cass - Rita Angus (1936) oil on canvas on board (christchurchartgallery.org.nz)
From Christchurch gallery site - “This work by Rita Angus has come to symbolise the hard-edged clarity of the Canterbury school of landscape painting. It was made following the artist’s ten-day visit to the remote high country railway settlement of Cass in 1936 with painters Louise Henderson and Julia Scarvell. The...
Children - Alexei and Sergei Tkachev (1962) (www.malcolmdeweyfineart.com)
Judith slaying Holofernes - Artemisia Gentileschi (1614-1620) (upload.wikimedia.org)
Saint-Séverin No. 3 - Robert Delaunay (1910) (www.guggenheim.org)
Robert Delaunay chose the view into the ambulatory of the Parisian Gothic church Saint-Séverin as the subject of his first series of paintings, in which he charted the modulations of light streaming through the stained-glass windows and the resulting perceptual distortion of the architecture. The subdued palette and the patches...
Sacrifice - Mark Rothko (1946) (www.guggenheim.org)
In the 1940s Rothko, together with his friend Adolph Gottlieb, believed that the painting of myth, with allusions to tragedy, was the proper response to the horrors of war, the Holocaust and the atom bomb. He once wrote, with Friedrich Nietzsche in mind, that ‘only that subject matter is valid which is timeless and tragic’....
Starry Night Over the Rhone - Vincent van Gough (1888) (cdn.mediatheque.epmoo.fr)
From the moment of his arrival in Arles, on 8 February 1888, Van Gogh was constantly preoccupied with the representation of “night effects”. In April 1888, he wrote to his brother Theo: “I need a starry night with cypresses or maybe above a field of ripe wheat.” In June, he confided to the painter Emile Bernard: “But...
