BlckheathHopper, to academicchatter
@BlckheathHopper@archaeo.social avatar


Two full-time permanent posts: Lecturer in Archaeology and Digital Humanities, and Lecturer in History and Digital HUmanities, University of Sheffield. Note that the ad completely overlooks the closure of the Archaeology Department from Sept 2024 and presumably the post is primarily based in the Digital Humanities Institute. Closing date 15 Jan 2024. Details at:
https://www.jobs.ac.uk/job/DEV436/lecturer-in-history-and-digital-humanities-and-lecturer-in-archaeology-and-digital-humanities
@archaeodons @academicchatter

clmorgan,
@clmorgan@archaeo.social avatar
EvelineSulman,
@EvelineSulman@akademienl.social avatar
ladyofvix, to archaeodons
@ladyofvix@jorts.horse avatar

Cost-cutting in academia is currently endangering the future of the last remaining archaeology programmes in and as a whole. So students started a petition: https://chng.it/gTHf8fgbJT

@archaeodons

old_baby,
@old_baby@jorts.horse avatar

@archaeodons @ladyofvix the people making decisions for our entire species seem really invested in keeping us as ignorant as possible

woid,

@ladyofvix @archaeodons There's an object in the Naturhistorisches Museum in Vienna, a mezuzah found in Austria that antedates Christianity by several hundred years. Maybe the Germans would rather stuff like that not be found. They might have to give their own land back...

bibliolater, to histodon
@bibliolater@qoto.org avatar

"Against the backdrop of the threat of war with Persia and an imminent Spartan invasion which resulted in the overthrow of Hippias (510 BCE), it is considered that a political transition occurred because Greece was both geologically and politically disposed to adopt this labour-intensive silver technology which helped to initiate, fund and protect the radical social experiment that became known as Classical Greece."

Wood, J. R. (2023). Other ways to examine the finances behind the birth of Classical Greece. Archaeometry, 65(3), 570–586. https://doi.org/10.1111/arcm.12839 @archaeodons @histodon @histodons

bibliolater,
@bibliolater@qoto.org avatar

"In particular, I make a response to Wood’s suggestion in Archaeometry (2022, first view, ‘Other ways to examine the finances behind the birth of Classical Greece’) that the end of the production of lead votive figurines in Sparta might have been caused by Athenian restrictions to Laurion lead exports, drawing on new LIA of the Spartan lead votives and wider considerations concerning the trade, cost and volume of lead in the 7th to 5th century bce Mediterranean."

Lloyd, J. T. (2023). Spartan dependence on Laurion lead. Archaeometry, 65(5), 1044–1058. https://doi.org/10.1111/arcm.12870 @archaeodons @histodon @histodons

NikaShilobod, to phdlife
@NikaShilobod@fediscience.org avatar
ruralbbqdude,
@ruralbbqdude@mastodon.social avatar

@NikaShilobod @archaeodons @anthropology @academicchatter @phdlife @histodons

I did some time with
Southeast USA projects for two years a decade ago.
I do miss it.

shlenny,
@shlenny@heads.social avatar
appassionato, to bookstodon
@appassionato@mastodon.social avatar

The Collapse of Complex Societies

Political disintegration is a persistent feature of world history. The Collapse of Complex Societies, though written by an archaeologist, will therefore strike a chord throughout the social sciences. Any explanation of societal collapse carries lessons not just for the study of ancient societies, but for the members of all such societies in both the present and future.

@bookstodon





Scotter,
@Scotter@newsie.social avatar
BackFromTheDud,
@BackFromTheDud@mas.to avatar

@mutinyc Yeah, "More than one kind of Anarchist". The problem with Anarchism is this: Nobody can actually tell you what it is! "Without Leaders" is a wonderful concept, because it means that as nobody makes decisions, nobody is to blame when things go wrong!
Ah well, another Mute. @Grizzlysgrowls @appassionato @bookstodon

bibliolater, to linguistics
@bibliolater@qoto.org avatar

"The great majority were written in the empire’s main language – Hittite. But the Hittite government’s scribes wrote around 5 per cent of them fully or partly in the languages of the empire’s minority ethnic groups – peoples like the Luwians (south-eastern Anatolians), Palaians (from part of north-west Anatolian), Hattians (central Anatolians) and Hurrians (from Syria and northern Mesopotamia)." https://www.independent.co.uk/news/science/archaeology/hittite-ancient-language-turkey-ankara-b2451364.html @archaeodons @linguistics

bibliolater,
@bibliolater@qoto.org avatar

@kaleissin @archaeodons @linguistics Sir Humphrey Appleby.

bibliolater,
@bibliolater@qoto.org avatar

@kaleissin @archaeodons @linguistics A version of Sir Humphrey Appleby has always existed.

Emmacox, to random
@Emmacox@writing.exchange avatar

A fogou is an Iron Age underground passageway built within a settlement. These were likely used for food storage or as a place of refuge during raids (or maybe for ritual purposes). Fogous are only found in Cornwall and their name derives from the Cornish word for ‘cave’. This fogou is situated in the ancient settlement of Carn Euny.

DontMindMe, to medievodons
@DontMindMe@zirk.us avatar
ChemicalEyeGuy,
@ChemicalEyeGuy@mstdn.science avatar
mrundkvist, to random
@mrundkvist@archaeo.social avatar

Listen up, archaeokids. Lets say you first excavate context A, writing "A" on all the find baggies. Then you kind of think that you've gone into a new context, so you start calling it context B and writing "B" on the baggies. Then you decide that B is actually not different enough from A to be treated usefully as a separate entity. This is completely OK. Just put in the field notes that A=B. 1/2

mrundkvist,
@mrundkvist@archaeo.social avatar

What is NOT OK is to re-use the label "B" for the completely different shit that is sitting under context A/B! NEVER RE-USE A CONTEXT IDENTIFIER FOR SOME OTHER SHIT!!! /Signed, the guy who is writing up the report and organising the finds. 2/2

ninawillburger, to random German
@ninawillburger@social.anoxinon.de avatar

For the late Roman tomb of Silistra/Bulgaria. Dating around 350 AD, the tomb is richly decorated with fresoes showing not only the tomb's owner and his wife but also their servants/slaves carrying garments and other items.

Photo: Julianna Lees via Flickr

IdeasRoadshow, to academicchatter
@IdeasRoadshow@zirk.us avatar

🐘 The Airavatesvara Temple Kumbakonam, India, contains a well-known optical illusion.

🐂 What do you see: a bull or an elephant?

Cool fact: Did you know that "illusion" literally means "in-play"?

More about the intriguing link between play & culture --> https://ideasroadshow.com/chess/

@histodons @academicchatter @historyofart

DuBusGuy19,
@DuBusGuy19@historians.social avatar

@IdeasRoadshow @histodons @academicchatter @historyofart At first look, I saw the bull. It took a little effort to see the elephant, but ultimately, I did.

2CB,
@2CB@urbanists.social avatar

@IdeasRoadshow @histodons @academicchatter @historyofart

I can see parts of both but cannot get either to swim into focus as the dominant one. Bull is a little more distinct; elephant is a mess.

bibliolater, to archaeodons
@bibliolater@qoto.org avatar

"The disaster appeared to have destroyed the scrolls for good, but nearly 2,000 years later researchers have extracted the first word from one of the texts, using artificial intelligence to peer deep inside the delicate, charred remains."
https://www.theguardian.com/science/2023/oct/12/researchers-use-ai-to-read-word-on-ancient-scroll-burned-by-vesuvius #Science #ArtificialIntelligence #AI #Italy #Archaeology #Museum #Classics #Ancient #History @science @archaeodons

AmazingMeagen,
@AmazingMeagen@historians.social avatar
Chapps, to random
@Chapps@mograph.social avatar

An Egyptian Amarna-era alabaster perfume bottle in the shape of a hes-vase (libation vessel), inlaid with a depiction of an Amarna princess standing on a blue lotus blossom. The blue lotus opens anew every morning with the sun. For an ancient Egyptian, the child and the flower would have been a powerful image of rebirth and rejuvenation.

The image on the side is a marvel of lapidary skill, consisting of carnelian, obsidian, gold, and colored glass inlay.

1/

bojacobs, to histodons
@bojacobs@hcommons.social avatar
independentpen,
@independentpen@mas.to avatar

@bojacobs @histodons My professor is quoted in there (:

rspfau,
@rspfau@ecoevo.social avatar

@bojacobs @histodons That's an odd shaped human footprint. Seems pinky toe is set too far back toward heel.

Chapps, to random
@Chapps@mograph.social avatar

Archaeological mystery!

The Roman-era marble figure on the left, below, was recently found in Afyonkarahisar, Turkey. Note the red modius-style hats! Turkish officials have identified it as the 'Three Graces', but ... they all face forward, each carrying two torches. That's three-bodied Hekate's iconography. 🤔

Thoughts? Why identify the figures as the Graces instead of Hekate?

Marble statuette of triple-bodied Hekate and the three Graces. The tall figures of Hekate face outwards, equally spaced in a circle, separated by the tall torches they carry in each hand. The Three Graces dance around the far taller figures of Hekate, their hands clasped together. Hekate presided over pathways and crossroads, especially at night. She was the goddess of the moon and of nocturnal sorcery. Like Hermes, she could travel to and from the underworld and the earth. 1st-2nd c. CE. Met Museum (1987.11.2)

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