George Grosz was a fascinating and viceral painter, deeply scarred and influenced by his experience serving in the first world war, before he was discharged and left with psychiatric problems and a serious drinking problem. Many of his paintings from that period deal explictly with the horrors of war and the human cost...
The title of the painting is first recorded in 1693, when it was listed in an inventory as Amor Divino e Amor Profano (Divine love and Profane love), and may not represent the original concept at all.
Purchased by Bernard Berenson for Isabella Stewart Gardner in 1869 and was displayed at the Isabella Stewart Gardner Museum in Boston before its theft in 1990; it remains missing.
Wiki: Henri Julien Félix Rousseau ( 21 May 1844 – 2 September 1910) was a French post-impressionist painter in the Naïve or Primitive manner. He was also known as Le Douanier (the customs officer), a humorous description of his occupation as a toll and tax collector. He started painting seriously in his early forties; by age...
Francisco Josè De Goya y Lucientes was a Spanish romantics painter and printmaker and was considered one of the most important Spanish artists of the late 18th and early 19th century. The Witches’ Sabbath is 1 of 14 paintings known as the black paintings, the most famouse of which is known as “Saturn devouring his son”,...
Paul Sérusier sojourned in Pont-Aven during the summer of 1888, as Paul Gauguin, whose advice he followed. On his returning to Paris, he showed his young fellow painters, the future “Nabis” (“prophets” in Hebrew), what was to become their “Talisman”. A close observation of the painting allows one to recognise...
After staying in the south of France, in Arles, and then at the psychiatric hospital in Saint-Rémy de Provence, Vincent Van Gogh settled in Auvers-sur-Oise, a village in the outskirts of Paris. His brother Théo, concerned with his health, incited him to see the Doctor Gachet, himself a painter and a friend of numerous artists,...
The London Houses of Parliament crop up regularly in Monet’s work in 1900. At first the artist observed them from the terrace of St Thomas Hospital, on the opposite bank, near Westminster Bridge. Monet’s London production, which includes views of Charing Cross bridge and Waterloo bridge, is in fact dominated by variations in...
‘My biomorphic fiber wall hangings are inspired by the lines and patterns of microscopic/cellular imagery which I find visually and metaphorically rich. All changes in essence happen on that infinitesimal level and result in the world we experience. My work is a kind of invented biology zooming in on that fundamental nature of...