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Aesecakes

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Aesecakes,
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Have you seen the “Mark Read Options” in Settings > Content?

Aesecakes,
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Seriously, there were so many ads.

Aesecakes, (edited )
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Jan 1992, p.28

the alternative music scene has grown to the point where it’s no longer the alternative anymore; it has in fact become part of the mainstream.

Which is both good and bad. No, rock isn’t dead–if it were, there wouldn’t be much point in this magazine-but it is, as Paul Westerberg said in our Soul of Rock’n’Roll issue, going underground. True innovation is being pushed farther and farther from the mainstream, while the mainstream itself expands to encompass fringes it once scarcely noticed. Five years ago the thought of Sonic Youth being on a major label would have been as unthink. able as it would have been undesirable; today it would seem a gross injustice if they weren’t. And hell, why not- seems like the majors these days are buying up anything that moves, or at least moves noisily, as long as the band in question has some sort of independent credibility and/ or following. This is good for the bands in the short run, and for some even in the long run, but the overall effect is hardly salutary, especially as it concerns the health of the independent system, which until now has developed and nurtured these bands.

Most likely, this mainstream bloat will deflate somewhat in the next couple of years as the majors realize that it’s probably not a good idea to sign every half assed jangly guitar rock band that comes their way.

Spin Magazine Jan 1992. Nirvana is on the cover

Aesecakes,
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That is a more than cromulent list

Aesecakes,
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Did anyone see the 2021 movie she did with Carrie Brownstein, The Nowhere Inn. I thought it was pretty good.

Aesecakes,
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That’s a cool racket. Know anything about them?

The Pains of Being Pure At Heart - Young Adult Friction [2009] (yewtu.be)

When this US band popped up on my radar in 2009, having already been immersed in bands like Belle And Sebastian, Aberfeldy, Camera Obscura (all Scottish!) and other “twee” indie bands for some time, they probably didn’t make as much of an impact as they could have done. Nevertheless, I like some of their tunes and dip into...

Aesecakes,
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Aesecakes,
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I also quite enjoyed the single series of High Fidelity that was made. Slightly less light-hearted.

Aesecakes,
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Thanks for posting. I was lucky enough to visit Stockholm, once. The art in the stations was really cool. Would love to return there one day. 🙂

Aesecakes,
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Thanks for posting. I never saw Moldy Peaches play but I did see Kimya Dawson busking once…and I do remember hearing this song before.

Aesecakes,
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It’s Bettini, Valverde and Zabel. 2006 Road World Championships.

Aesecakes,
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I paid much more attention to procycling in that era than I do now. Don’t know why you’re getting all the downvotes.

Lemonheads - Luka [1989] (yewtu.be)

This cover of Suzanne Vega’s hit song ‘Luka’ was on Lemonheads’ third album, Lick, that came out on the indie label, Taang! A couple of albums later, after signing to the major label, Atlantic Records they hit the big time with another cover…Simon and Garfunkel’s, ‘Mrs Robinson’ (1992)....

Dick Diver - Calendar Days [2013] (yewtu.be)

Dick Diver were lumped into a “scene”, perpetuated by a now defunct music website, known as “Dolewave”, after the unemployment benefits colloquially known as “the dole”. They were characterized by a DIY, jangly, sometimes laconic, sometimes insistent, guitar sound. Courtney Barnett was also sometimes mentioned as...

Aesecakes, (edited )
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I’m lucky that I live in Melbourne and got to see Courtney Barnett gigs in the early days, as well as a fair few times since then. I first clapped eyes on her when she was guitarist in Brent De Boer’s band, Immigrant Union, and then several times during the early EP days when Jen Cloher and Dan Luscombe from The Drones were in her band. When Sometimes… was released, it was a great continuation of those first couple of records. In the great indie snob cliché, I probably do think her old stuff is better than her new stuff. Maybe.

Looking at the track listing, here are a few random observations:

  • Elevator Operator - I think I remember that the video was actually shot in the Nicholas Building, which is mentioned in the song. It’s a well known, old-ish building in the Central Business District of Melbourne. The kind of building that was one of the last holdouts to have someone working the lift/elevator. You would indeed take the 96 tram from the northern suburbs to get to this building.
  • Pedestrian At Best - This video was shot at a small “adventure” theme park on the outskirts of Melbourne. It used to be called Alpine Toboggan Park, I forget what it is called now. I drove past it a few weeks ago and commented on its notoriety. The song is so droll about the whims of taste and opinion, as is the video
  • Aqua Profunda! - There is a sign painted on the wall at the deep end of the Fitzroy open-air swimming pool that reads, “Danger. Deep Water. Aqua Profonda” and there is also a mural on the outside wall that also reads “Aqua Profonda”. The spelling is slightly different, but I choose to believe that there is a connection given the lyrics…which The Guardian confirms…see #2
  • Depreston - I used to live not too far from Preston and I have a couple of friends who live there. You need more than a spare half a million to buy a fixer upper there, even back then. The other thing I also always pondered was, "What combination of coffees were not purchased to save "23 dollars a week?"
  • Dead Fox - This references driving on the Hume Freeway between Melbourne and Sydney. Some of the freight trucks on that road are operated by the Linfox company. They often say “You are passing another Fox” on the back of them, as well as “If you can’t see me, I can’t see you”, referring to the safety mirrors of the trucks.

Although references to places in songs can sometimes be clichés, I do get a kick out of the ones that I pick up in Courtney Barnett’s music as they are usually quite subtle and she has a great knack of making the mundane, unusual, while also avoiding sentimentality.

Aesecakes,
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I remember hearing an interview where she mentions that the title was from an embroidery that her grandma had on her wall or on a cushion

Aesecakes,
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My pleasure 👍

Aesecakes,
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And thanks to you for noticing!

The Superjesus - Down Again [1997] (yewtu.be)

Adelaide’s, The Superjesus were one of the late nineties Australian bands who followed the North American commercial Alternative Rock template, at least IMO. Like a lot of bands, they would have started in the dingy pub scene, getting picked up by community radio and having some appeal to the goth/metal/hard rock indie-head,...

Death Of Heather - Gaze At The Ceiling [2023] (yewtu.be)

I never thought I would type the words, “One of Asia’s up and coming shoegaze bands is Bangkok’s, Death of Heather”, but here we are. With this video that appears to be set in Japan, they appear to be tapping into a similar Asian shoegaze revival that Tokyo’s For Tracy Hyde were leading lights of until their demise,...

aMiniature - Physical Climber [1994] (yewtu.be)

San Diego’s aMiniature (the “a” is not pronounced) is a super obscure band to me. Back in the 90s, I would sometimes hang out with a bass player who professed to loving them, but I could never find any of their records. On the streaming service I use, there is one album from 2022, which isn’t listed on Discogs. None of...

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