SJLahey, to bookhistodons
@SJLahey@mastodon.social avatar

Today I’m back ‘home’ in Cambridge University Library—where mythical hazards lurk in the ! 😱🐉
@bookhistodons @medievodons

brackman1066,
@brackman1066@mstdn.social avatar

@SJLahey @bookhistodons @medievodons Envy. It has been so long since I was able to travel to an archive.

CitizenWald, to bookstodon
@CitizenWald@historians.social avatar

Because I've been busy, I am late in celebrating the birthday of the great Laurence Sterne, born 24 Nov. 1713 in Clonmel,

Here, my copy of the posthumously published letters to the object of his literary-romantic devotion, Eliza Draper (2nd ed. 1775).

Modern readers find in what the editor said he saw in Eliza: “a mind so congenial with his own, so enlightened, so refined, and so tender"

@bookhistodons @bookstodon

the_roamer,
@the_roamer@mastodonapp.uk avatar

@CitizenWald @bookhistodons @bookstodon

Wow, is that the 1st edition?

Sterne is freedom. Uncontainable.

https://mastodonapp.uk/

shgregg,
@shgregg@hcommons.social avatar
dbellingradt, to histodons
@dbellingradt@mastodon.social avatar

This is how a page from a medieval looks when its original text had been scraped off by someone, overwritten with a new text, and then later, a 19th-century scholar discovered the and tried to make the undertext's ink visible again by painting the page with chemical reagents.

@histodons

RustyBertrand,

@dbellingradt @histodons

I love book curses. Were they just an English thing or did all languages do it?

A fave:
“If anyone take away this book, let him die the death; let him be fried in a pan; let the falling sickness and fever seize him; let him be broken on the wheel, and hanged. Amen.”

arvrrob,
@arvrrob@twit.social avatar
CitizenWald, to bookhistodons
@CitizenWald@historians.social avatar

Outstanding talk today by @erik_kwakkel on the unique combination of intuition and rational analysis that allow the expert paleographer to identify the time and place when a was produced.

https://www.umass.edu/renaissance/event/bookhistkwakkel2023

Delighted that @CandaceRobbAuthor and @taoish were able to attend

@bookhistodons @histodons

CandaceRobbAuthor,
@CandaceRobbAuthor@historians.social avatar

@CitizenWald @erik_kwakkel @taoish @bookhistodons @histodons Erik's talk was fascinating, with wonderful examples. So glad I happened to see your post about it, Jim!

dbellingradt, to histodons German
@dbellingradt@mastodon.social avatar

Calling for experts of and beyond: The Book History Book Prize from @sharporg - for books copyrighted 2023 - is open for submissions.

Being once again one of the jury members, I am looking forward to see your book. Boost encouraged, dear @histodons

Deadline is Friday, January 19, 2024.

Details: https://sharpweb.org/grants-prizes/sharp-book-history-book-prize/

dbellingradt,
@dbellingradt@mastodon.social avatar

@histodons @sharporg As an author you should more than encourage your publisher to submit copies of your book to SHARP (and elsewhere). Some publishers just do not send books. For example, in the last two years, not one book from the series "Library of the Written Word" (Brill) appeared in front of the jury members. So choose your publisher wisely. Submitting free copies to win a prize or an award is, in my opinion, part of the support you want to get for your book.

dbellingradt, to histodons German
@dbellingradt@mastodon.social avatar
brion,
@brion@bikeshed.vibber.net avatar

@dbellingradt @histodons "come for the bathroom humor, stay for the science!" :D

dbellingradt, to histodons
@dbellingradt@mastodon.social avatar

Only one pamphlet left. This is how a looted Sammelband looks like, @histodons

UB Erlangen, H00/4 MED-I 733

a Sammelband with only one pamphlet left. Viewed from the outside. UB Erlangen, H00/4 MED-I 733

andreasjanke,
@andreasjanke@openbiblio.social avatar

@dbellingradt @histodons irgend eine Idee, wann dies passiert sein könnte? Gibt es ähnlich beraubte Sammelbände in der Sammlung oder ist dies ein Einzelfall?

dbellingradt,
@dbellingradt@mastodon.social avatar
dbellingradt, to bookstodon German
@dbellingradt@mastodon.social avatar

To whom it may concern:

"Schrifften=Steller / die von anzüglichen Sachen handeln / kommen offt um Leib und Leben.“

"Authors dealing with raunchy stuff often die young."

Register-Eintrag in: Neu=eröffnete Trauer=Bühne, Zweyter Theil, Nürnberg 1709.

@bookstodon @histodons

perfect_brains,
@perfect_brains@social.freetalklive.com avatar

@dbellingradt @bookstodon @histodons

with smiles on their faces

CitizenWald, to bookhistodons
@CitizenWald@historians.social avatar

I have to teach tomorrow, but for many students in a college town--as it once was, so shall it always be, Alpha et Omega--the weekend begins tonight, on Thirsty Thursday.

Here is a huge line of students waiting to get into a local bar, circa 8 p.m. (I was coming from dinner after our seminar on materiality, spatiality, and temporality in Martial's poetry

https://www.umass.edu/renaissance/event/bookhistcloss2023

(I had beer, too, but we talked about Latin poetry, teaching, Monteverdi)

@bookhistodons @bookstodon

that line of students waiting to get into The Spoke stretches far beyond the building and into the parking lot

westerling,
@westerling@wandering.shop avatar

@CitizenWald @bookhistodons @bookstodon

I see nothing has changed at the Spoke in the last 30 years.😂

enigma,
@enigma@norden.social avatar

@CitizenWald
T-G-i-Fs 🥳🖖
@bookhistodons @bookstodon

dbellingradt, to histodons German
@dbellingradt@mastodon.social avatar

Run, early modern postal horse with your messenger sitting on top blowing the post horn, run. @histodons

You see a video of the identical printed image used in the 1670s on the title page of the Nuremberg “Wochentliche Ordinari Post-Zeitung”. Re-used Woodblock, here we go.

You see a video of the identical printed image - a postal horse with a messenger on top - in the 1670s on the title page of the Nuremberg “Wochentliche Ordinari Post-Zeitung”.

Irisfreundin,
@Irisfreundin@troet.cafe avatar

@dbellingradt @histodons

Das kann man wieder nicht auf Deutsch übersetzen lassen. 😞

MARBASPrinceton, to medievodons
@MARBASPrinceton@hcommons.social avatar

This is the account for Manuscript, Rare Book & Archive Studies (MARBAS) at Princeton. We're an initiative dedicated to sharing resources and techniques related to textual artifacts produced before 1600. That's manuscripts, archival documents, early printed books, papyri, inscriptions, the list goes on! We're all about premodern texts and the multitudes of materials that have carried them.

We'll be posting about , , and from a range of geographies and across , , and the period.

Looking forward to connecting with @antiquidons, @histodons, @medievodons, @bookhistodons, and others!

https://marbas.princeton.edu/

exploreyourarchive,
@exploreyourarchive@hcommons.social avatar

@MARBASPrinceton @antiquidons @histodons @medievodons @bookhistodons welcome! We just recently joined too. Looking forward to seeing your toots from across the pond

dbellingradt, to histodons German
@dbellingradt@mastodon.social avatar

Here is a new thread for friends of , , and the community.
@histodons

On the painting with the title "The Alchemist" from the Flemish Mattheus van Helmont, circa mid seventeenth century, are many uses and abuses of paper products reflected in the details. I will address 7 of these paper issues in the thread. Bonus for friends: a large écorché figure, a distillation apparatus over a fire, and metal working assistants.
Enjoy.

1/x

ak_text,
@ak_text@mastodon.social avatar

@dbellingradt @Tinido @histodons Oh, no dog, just dog head-shaped clutter, as you explained.

hosford42,
@hosford42@techhub.social avatar

@Tinido @dbellingradt @histodons

[looks at his desk] Apparently I would have been an alchemist had I been born a few centuries sooner.

dbellingradt, to histodons German
@dbellingradt@mastodon.social avatar

Spot the difference: on the left, the copperplate print is hand-coloured after the print run, and on the right no extra work is done. Colouring prints was a thing in Europe. Guess which version was more expensive - and sold better?

You see the frontispieces with a star map from the 1742 "Atlas Novus Coelestis", Nuremberg, from J.G. Doppelmayr (1677-1750). Bonus details: , , and discussing things.
@histodons

frontispiecve from Doppelmayr, Johann Gabriel: Atlas Novus Coelestis: In Quo Mundus Spectabilis Et In Eodem Tam Errantium Quam Inerrantium Stellarvm Phoenomena Notabilia… Nürnberg, Homannsche Erben, 1742 . Source: https://pic.sub.uni-hamburg.de/kitodo/PPN822197634/00000001.tif

_bydbach_,
@_bydbach_@hcommons.social avatar

@dbellingradt @histodons Als "Malen nach Zahlen" verpackt, wären die Drucke sicher zum Verkaufsschlager geworden. Es ist alles nur eine Frage der richtigen Werbekampagne.

raymccarthy,
@raymccarthy@historians.social avatar

@dbellingradt @histodons
Even some early movie films were hand coloured. All those tiny frames!
Though there was RGB colour film at the end of the Victorian age an exposure was 20 minutes. It wasn't till there was CYM layered film that colour movies were possible.
I think before 1742 China was doing coloured prints using multiple wood blocks.
Nitric acid was 14th C, or maybe 10th C. But using it for silver nitrate photos was 19th C.

hgott, to academicchatter
@hgott@mas.to avatar

Look what was just published:

The Early Modern Dutch Press in an Age of Religious Persecution: The Making of Humanitarianism. by Dr David de Boer (Oxford University Press; Sept. 28, 2023)

The book is available as Open Access:

https://global.oup.com/academic/product/the-early-modern-dutch-press-in-an-age-of-religious-persecution-9780198876809?cc=nl&lang=en&#

@academicchatter

raymccarthy,
@raymccarthy@historians.social avatar

@_bydbach_ @hgott @academicchatter
Thanks!

PDFs are a print/publish/preview format, not ebooks. Practically unusable except on a large screen. A reflowable epub 2 is an open standard and open access as it can convert to Kindle or PDF and be read on anything.

At least search works well.
I have a 23.5″ 4K screen, like paper in quality, so I can read it on the desktop. I'll see what it's like on a 10" eink, but those are not common. Reading on a tablet is ghastly.

raymccarthy,
@raymccarthy@historians.social avatar

@_bydbach_ @hgott @academicchatter
Just about readable on a 10.3″ Kobo Elipsa eink when top & bottom margin cropped.

BiblioWingate, to random
@BiblioWingate@hcommons.social avatar

people! Have you ever read a book or article that proposed anything like the communications circuit for manuscripts? Basically a conceptual model of the creation, circulation, and reception of mss books? I would love to know about them for my quals paper!

CitizenWald,
@CitizenWald@historians.social avatar

@BiblioWingate
Not off the top of my head, but any smart person--e.g. you!--could bang one out. Sapere aude!
Gotta say (tho I hate to, for multiple reasons) the vaunted communication circuit was nothing original + skewed toward an atypical set of sources. A lot of this canonization, frankly, depends on being a scholar in a position to command attention

Cf. these (more complex) examples from Walter Hömberg's excellent book, anno 1975. I could cite more

@dbellingradt @bookhistodons

schematic diagram of direct communication from author to publisher, down to readership
schematic diagram of indirect communication from forms of publication or other transmission to readership

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