dbellingradt, German
@dbellingradt@mastodon.social avatar

Spot the difference: on the left, the copperplate print is hand-coloured after the print run, and on the right no extra work is done. Colouring prints was a thing in Europe. Guess which version was more expensive - and sold better?

You see the frontispieces with a star map from the 1742 "Atlas Novus Coelestis", Nuremberg, from J.G. Doppelmayr (1677-1750). Bonus details: , , and discussing things.
@histodons

frontispiecve from Doppelmayr, Johann Gabriel: Atlas Novus Coelestis: In Quo Mundus Spectabilis Et In Eodem Tam Errantium Quam Inerrantium Stellarvm Phoenomena Notabilia… Nürnberg, Homannsche Erben, 1742 . Source: https://pic.sub.uni-hamburg.de/kitodo/PPN822197634/00000001.tif

raymccarthy,
@raymccarthy@historians.social avatar

@dbellingradt @histodons
Even some early movie films were hand coloured. All those tiny frames!
Though there was RGB colour film at the end of the Victorian age an exposure was 20 minutes. It wasn't till there was CYM layered film that colour movies were possible.
I think before 1742 China was doing coloured prints using multiple wood blocks.
Nitric acid was 14th C, or maybe 10th C. But using it for silver nitrate photos was 19th C.

_bydbach_,
@_bydbach_@hcommons.social avatar

@dbellingradt @histodons Als "Malen nach Zahlen" verpackt, wären die Drucke sicher zum Verkaufsschlager geworden. Es ist alles nur eine Frage der richtigen Werbekampagne.

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