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Skyscapers and Tunnels - Fortunado Depero (www.italianmodernart.org)

Italian Futurism was officially launched in 1909 when Filippo Tommaso Marinetti, an Italian intellectual, published his “Founding and Manifesto of Futurism” in the French newspaper Le Figaro. Marinetti’s continuous leadership ensured the movement’s cohesion for three and half decades, until his death in 1944....

Wedged into the inhabited area - Tullio Crali (1939) (www.valutazionearte.it)

Incuneandosi nell’abitato is one of the most famous Futurist aeropaintings. It portrays some buildings seen from above, from the point of view of a pilot who is dangerously ‘nosediving’ on the city. The point of view is set just behind the pilot, so we can see his head and shoulders and the inside of a cockpit from which...

The Shelton with Sunspots - Georgia O'Keeffe (1926) (www.artic.edu)

“I went out one morning to look at the Shelton Hotel and there was the optical illusion of a bite out of one side of the tower made by the sun, with sunspots against the building and against the sky,” said Georgia O’Keeffe, recalling the precise moment that inspired her to paint The Shelton with Sunspots. Although her...

Morning on the sea - Finnur Jonsson (1927) (i.pinimg.com)

Finnur Jonsson was one of the pioneers of abstract art in Iceland and was the first to show such works there. He also made portraits of people and nature and traveled. He worked a lot on the social issues of visual artists, wrote in newspapers and got into debates about visual art, he also worked extensively in goldsmithing and...

Dirty Heel - Marilyn Minter (2008) (www.guggenheim.org)

Marilyn Minter’s sumptuous depictions of designer-shod feet—which stalked across billboards in New York’s Chelsea gallery district as part of a public art project in 2006—have become signature images in the artist’s oeuvre. Drawing on the potent erotic charge of the high heel, Minter amplifies its currency as a...

In Transit - Lida Abdul (2008 - digital video still) (www.guggenheim.org)

Lida Abdul is a performance and video artist. She and her family fled Afghanistan following the Soviet invasion of 1979, and lived as refugees in India and Germany before immigrating to the United States. Based on this experience, Abdul considers herself a nomadic artist, and her films, videos, and installations focus on themes...

Woman with Her Throat Cut - Alberto Giacometti (1932) (www.guggenheim.org)

In a group of works made between 1930 and 1933, Alberto Giacometti used the Surrealist techniques of shocking juxtaposition and the distortion and displacement of anatomical parts to express the fears and urges of the subconscious. The aggressiveness with which the human figure is treated in these fantasies of brutal erotic...

Setting for a Fairy Tale - Joseph Cornell (1942) (Object Box) (www.guggenheim.org)

In contrast to the cluttered assemblage of juxtaposed objects of varying scales in other boxes, Joseph Cornell here creates a coherent miniaturized world. A black painted border on the surface of the glass frames a white palace and serves as a proscenium that invokes the world of theater and spectacle. The title Setting for a...

The Bare Trees at Jas de Bouffan - Paul Cezanne (1886) (www.nmwa.go.jp)

Cezanne’s father purchased a large mansion called Jas de Bouffan on the outskirts of Aix-en-Provence in 1859. Cezanne stayed frequently in Aix at the beginning of the 1880s where he painted the surroundings of the estate. This work was painted near the back gate of the estate. The undulations that continue from the back...

Conversation - Camille Pissarro (1881) (www.nmwa.go.jp)

The late 1870s to the 1880s were a major turning point in the careers of Pissarro and the other Impressionists. We can find evidence of these changes in this Conversation. Here we can see Pissarro’s tendency toward pointillist techniques which would be further developed in the later 1880s under Seurat’s influence. In terms...

Reminiscence of the Beach of Naples - Jean-Baptiste-Camille Corot (1872) (www.nmwa.go.jp)

The French painter Corot displayed a great originality in lyrical landscape painting. He traveled to Italy three times during his life, but he only visited the subject of this work, Naples, on his first trip. From his several small sketches of Naples Castle, Mt. Vesuvius, Ischia and Amalfi, however, it would seem that this trip...

The painter's studio - Gustave Courbet (1855) (cdn.mediatheque.epmoo.fr)

The enormous Studio is without doubt Courbet’s most mysterious composition. However, he provides several clues to its interpretation: “It’s the whole world coming to me to be painted”, he declared, “on the right, all the shareholders, by that I mean friends, fellow workers, art lovers. On the left is the other world of...

Pont de Charing Cross - André Derain (1906) (www.musee-orsay.fr)

At the 1905 Salon d’automne, Derain shared the same gallery as Matisse, Vlaminck and Van Dongen. A critic, noticing a sculpture by Albert Marque in the middle of these vividly coloured paintings, remarked : “Mais c’est Donatello parmi les fauves!” (“Look, it’s Donatello among wild beasts!”). The phrase caught on...

A ball at the Moulin de la Galette - Auguste Renoir (1876) (cdn.mediatheque.epmoo.fr)

This painting is doubtless Renoir’s most important work of the mid 1870’s and was shown at the Impressionist exhibition in 1877. Though some of his friends appear in the picture, Renoir’s main aim was to convey the vivacious and joyful atmosphere of this popular dance garden on the Butte Montmartre. The study of the moving...

Self Portrait - Julius Hüther (1946) (www.lenbachhaus.de)

This impressionist portrait of the artist in an apocalyptic Germany of 1946 is filled with sadness, anger, bewilderment and fear. The devastation to life, culture and environment brought by the Nazis left everything Huther saw in tatters. Probably painted earlier, and only released after the Nazi’s were out of power for fear...

Suite Segond 2F- Bernard Frize (1980) (www.lenbachhaus.de)

Bernard Frize is a French painter who works in a variety of materials and utilizes a multitude of techniques. As an artist he explores the bare minimal essence of painting, devoid of conception and aesthetic, instead focusing on an industrial approach to making art. His work is highly process-oriented, often requiring...

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