artporn

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The Raft of the Medusa - Théodore Géricault (1818-19) (upload.wikimedia.org)

Taken from the wiki page on the tragedy itself - “Through inept navigation by her captain, Hugues Duroy de Chaumareys, who had been given command after the Bourbon Restoration for political reasons and even though he had hardly sailed in 20 years, Méduse struck the Bank of Arguin off the coast of present-day Mauritania and...

Portrait of a Kleptomaniac - Théodore Géricault (1822) (upload.wikimedia.org)

Part of a series of 10 portraits, a commissioned series for the psychiatrist Étienne-Jean Georget. The Salpêtrière asylum in Paris was like other institutions at the time, nowhere near the level of insight and care provided by modern mental health services. A history of mental illness in the artist’s own family likely made...

Years of Fear - Matta (1941) (www.guggenheim.org)

Schooled as an architect in his native Santiago, Chile, Matta went to Paris in 1933 to work for the famed modernist architect Le Corbusier. By the mid-1930s, Matta had become friendly with members of the Surrealist circle, and in 1937, influenced by both Surrealist techniques, including automatism, and his architectural...

Untitled #6 (Speed) - Kenny Scharf (1979) (kennyscharf.com)

Kenny Scharf (born November 23, 1958) is an American painter known for his participation in New York City’s interdisciplinary East Village art scene during the 1980s, alongside Jean-Michel Basquiat and Keith Haring. Scharf’s do-it-yourself practice spanned painting, sculpture, fashion, video, performance art, and street art....

Train Landscape - Eric Ravilious (1939) watercolour (cdn2.oceansbridge.com)

‘Look at the detail in this painting: the upholstery so carefully and sensitively realised; the window strap that is clearly made of leather and not some artificial material; the window fittings and the striped draught strips. The interior of the railway compartment is so beautifully drawn, with such clarity, that it is not...

St Paul's and Ludgate Hill - William Logsdail (1887) (visualelsewhere.files.wordpress.com)

Logsdail didn’t fit in a camp of his time. He painted en plain air like the Impressionists, but was dedicated to picture-perfect renderings, something that was possible because of emerging technologies of the industrial age. It’s so precise I would guess it was projection-aided, but I’m not sure if that was available at...

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