petrnuska, to academicjobs
@petrnuska@mastodon.world avatar

Assistant Professor in Technology in Music and Related Arts (TIMARA)

@ Oberlin College and Conservatory (Ohio)

TIMARA welcomes applicants specializing in a wide range of creative practices [that] may include [...] , , , interactive audiovisual media, immersive environments, experimental , , , interdisciplinary collaboration, and creative coding.

https://jobs.oberlin.edu/postings/14474%20Oberlin%20College-Conservatory%20of%20Music

@academicjobs

Barros_heritage, to anthropology
@Barros_heritage@hcommons.social avatar

Society can be understood as something that only exists as long as actions are performed, as long as processes take place, as long as we all contribute in some way to its ephemeral construction.

"Social organization is messy and refractory, a shambles rather than a crystal […]. There is no tidy atom and no clear-cut world, only complex striations and long strings that reptate as in a polymer goo" (White, H.C. (2008), Identity and control, Princeton, Princeton University Press, p. 18).

@romulus88
@romulus88
@sociology
@anthropology
@academicchatter

avldigital, to litstudies German
@avldigital@openbiblio.social avatar

The " and : Transforming a Medieval Saga Into a Contemporary Ballad and Dance Performance" will take place at Freie Universität Berlin
(EXC 2020 "Temporal Communities" ) on November 10/11, 2023.

🗓️Deadline for Registrations: November 7, 2023

📌Further Information + Program:
https://avldigital.de/de/vernetzen/details/event/workshop-and-performance-transforming-a-medieval-saga-into-a-contemporary-ballad-and-dance-performa/ @litstudies

feinstruktur, to earlymusic
@feinstruktur@mastodon.social avatar

Many good points made here & not just about tuning:

Why bad performances are bad (according to someone in 1594) / Bottrigari: Il Desiderio & Artusi

Created by Elam Rotem, Early Music Sources

https://youtu.be/XNvUPtFwZ8Y?si=8HqwcjAp2YLgt_9h

@earlymusic

DiazCarrete, to random
@DiazCarrete@hachyderm.io avatar

"the very definition of the GHC profiler makes it of limited use when estimating time on two classes of computations: firstly, those that need to do blocking IO; and secondly, some computations that invoke functions written in other programming languages."
https://www.tweag.io/blog/2022-07-28-timestats/
Sometimes you have to turn to the eventlog
https://well-typed.com/blog/2019/09/eventful-ghc/
https://hackage.haskell.org/package/ghc-events
https://downloads.haskell.org/ghc/latest/docs/users_guide/eventlog-formats.html

larsibacken, to classicalmusic
@larsibacken@mastodon.nu avatar
avldigital, to litstudies German
@avldigital@openbiblio.social avatar

The "Re-Imagining the Public Sphere: Stage, and Spectacle Around 1800" will be held at the Rheinische Friedrich-Wilhelms-Universität Bonn () on September 28/29, 2023.

📌Further Information:
https://avldigital.de/de/vernetzen/details/event/re-imagining-the-public-sphere-stage-performance-and-spectacle-around-1800-interdisciplinary-w/ @litstudies @germanistik

SophieMcKeand, to bookstadon
@SophieMcKeand@kolektiva.social avatar

Less than a week to go until I arrive in Gothenburg for the last leg of this Swedish book tour. I’m at the Gothenburg Fringe Festivan on 7/8/9th Sept. more details here: https://www.gbgfringe.com/events/the-mthr-trilogy/ come see me! Or tell your Gothenburg-based friends to come see me! Or give me a friendly boost. MWAH 💋 @bookstadon

scotlit, to litstudies
@scotlit@mastodon.scot avatar

Writing Scottishness: Literature and the Shaping of Scottish National Identities
Edited by Ian Brown and Clarisse Godard Desmarest

These fourteen essays explore literary manifestations of Scottishness, and examine the political, religious and cultural complexities that have shaped Scottish writing and performance through the centuries.

@litstudies

Available for preorder:
https://asls.org.uk/publications/books/occasional_papers/writing-scottishness/

Contents: Introduction (Clarisse Godard Desmarest) 1. Inscribing Scottishness in Language, Space, and Performance since the Seventeenth Century (Ian Brown) 2. Lethington, Marie Maitland, and the ‘Maitland Quarto’: Memorialisation and Performance in Times of ‘Troubill’ for Scotland (Pamela King) 3. Translating Identities: Tracing the Transfer of a Scottish Origin Myth from Scotland to France c. 1519 (Bryony Coombs) 4. ‘Losing its religion’? Scottish Literature and Confessional Identity (Gerard Carruthers) 5. Collective Identities and the Other in Scottish Jacobite Songs (Kristel van Soeren) 6. Napoleon and Ossian: Celtomania and the Construction of French Nationhood (Clarisse Godard Desmarest) 7. Transatlantic ‘Scott-land’: Re-locating the Late Waverley Novels within a Transatlantic Discussion (Pauline Pilote)
Contents (continued) 8. Questions of Identity on the Stevenson Trail in Scotland (Lesley Graham) 9. The Safe Nationalisms of Hugh MacDiarmid and Compton Mackenzie (Béatrice Duchateau) 10. Situating the Gael in Scottish Landscapes: Self-Identity and Change in Twentieth-Century Gaelic Poetry (Emma Dymock) 11. Critiquing Scotland’s Clever Clocks and MacGrundies: Willa Muir’s Nationalist Feminism (Emily L. Pickard) 12. ‘This is Scotland, by Christ!’: Cultural Nationalism and National (Re)Branding in the Cinematic Adaptations of Irvine Welsh (Anne-Lise Marin-Lamellet) 13. George Davie’s Democratic Intellect in Context (Robert Anderson) 14. Writing Scottishness in Post-imperial, Post-devolution Theatre: a Conversation (Peter Arnott and Ian Brown) Notes on contributors Index

SophieMcKeand, to bookstadon
@SophieMcKeand@kolektiva.social avatar

As a writer & performer who is also my own publisher & booking agent, I no longer apologise for self-promotion.
The next two The MthR Trilogy book tour events are at Stockholm Fringe Festival 30th & 31st Aug.
Click here for more details:
https://stoff.ssboxoffice.com/events/the-mthr-trilogy/
Please share with any Stockholm-based friends or just gimme a friendly boost ☺️
@bookstadon

court, to histodons
@court@dreamers-guild.net avatar

in - in 1724, Maria Antonia Walpurgis Symphorosa was born in - fascinated and talented at and from an early age, she was made a member of Accademia dell’Arcadia of Rome in 1747. Maria published her operas anonymously under the name EPTA. Through marriage she was Electress of and was regent for her son from 1763-1768. She died in Dresden, aged 55.
@royalhistory @histodons

stefan, to random
@stefan@stefanbohacek.online avatar

I wrote a bit about my latest project, a WordPress plugin for embedding fediverse posts, the motivation behind creating it, and some of the challenges.

https://stefanbohacek.com/project/wordpress-plugin-for-fediverse-embeds

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