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Virgil Finlay painting on the November 1939 cover of Weird Tales, illustrating “Towers of Death” by Henry Kuttner.

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The great science fiction writer Leigh Brackett was

The “Queen of Space Opera” wrote SF/F for the pulps of the 1940s and 1950s. In 1944 she wrote her first mystery novel, which came to the attention of legendary director Howard Hawks. When Hawks needed help on an adaptation of Raymond Chandler’s ‘The Big Sleep’…

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Science fiction pulp Planet Stories, March 1951.
Science fiction pulp Planet Stories, Summer 1946.
Science fiction pulp Planet Stories, Winter 1954-1955.

18+ dance_along_the_edge,
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But instead of heading to Hollywood after the end of the pulps, Edmond ended his long career at DC Comics. She died from cancer in 1978, but not before turning in the first draft script for what would become “The Empire Strikes Back!” Although her script was rewritten by others, many key elements remain.

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#ScienceFiction #SpaceOpera #SwordandPlanet #Pulp #WeirdTales #LeighBrackett #WomenWriters #StarWars #SF #SFF @sciencefiction @scifi

1971 Ace Books “Ace Double”, “People of the Talisman / The Secret of Sinharat” by Leigh Brackett.
1974 Ballantine Books paperback, “The Hounds of Skaith” by Leigh Brackett.
1977 Del Rey/Ballantine Books paperback, “The Best of Leigh Brackett”, edited by her husband, Edmond Hamilton.

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Mood.

Also Virgil Finlay illustrating "The Big Time" by Fritz Leiber from Galaxy Science Fiction, April 1958. Winner of the Hugo Award for best novelette.

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I hate when that happens.

🎨 Frank Kelly Freas 1957

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H.P. Lovecraft's poem Hallowe'en in a Suburb was first published in a small press publication in 1926 then in Lovecraft's second posthumous Arkham House collection in 1943. For the reprint in the September, 1952 issue of Weird Tales editor D. Mcllwraith asked Virgil Finlay for an appropriate illustration.

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Hallowe'en in a Suburb by H.P. Lovecraft THE steeples are white in the wild moonlight, And the trees have a silver glare; Past the chimneys high see the vampires I'm ⁸ fly, And the harpies of upper air, That flutter and laugh and stare. For the village dead to the moon outspread Never shone in the sunset's gleam, But grew out of the deep that the dead years keep Where the rivers of madness stream Down the gulfs to a pit of dream. A chill wind weaves thro' the rows of sheaves In the meadows that shimmer pale, And comes to twine where the headstones shine And the ghouls of the churchyard wail For harvests that fly and fail. Not a breath of the strange gray gods of change That tore from the past its own Can quicken this hour, when a spectral pow'r Spreads sleep o'er the cosmic throne And looses the vast unknown. So here again stretch the vale and plain That moons long-forgotten saw, And the dead leap gay in the pallid ray, Sprung out of the tomb's black maw To shake all the world with awe, And all that the morn shall greet forlorn, The ugliness and the pest Of rows where thick rise the stone and brick, Shall some day be with the rest, And brood with the shades unblest. Then wild in the dark let the lemurs bark, And the leprous spires ascend; For new and old alike in the fold Of horror and death are penn'd, For the hounds of Time to rend.

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Virgil Finlay illustration for “The Trouble with Magic” by Randall Garrett in Fantastic, March 1959.

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Virgil Finlay illustration for the 1919 H.P. Lovecraft story "Beyond the Wall of Sleep" for it's reprint appearance in the March, 1938 issue of Weird Tales. It was later inscribed and gifted to another giant, "To A. Merritt, a master of fantasy. From Virgil Finlay"


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Virgil Finlay illustrating A. Merritt's classic novel "The Face in the Abyss" reprinted in Famous Fantastic Mysteries, October 1940. See the for more.

@sciencefiction @fantasy

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