Deeper and deeper into #Japanese#culture and people, I went into the #Kyoto Imperial Palace for a special performance of #Gagaku (雅楽), imperial court #music and #dances of #Asian mainland origin that have been performed there since the Heian Period over a thousand years ago. An acquaintance who is a Shintō priestess (see photo) from Nara played two types of traditional flutes that sustain an eerie or higher-worldly atmosphere. The relatively slow and deliberate movements of the mostly male dancers in many-layered gorgeous contumes stand in contrast with the frenetic tempo of modern #entertainment. We experience #time as the pace of transformation, and that brief time transfixed with the Gagaku performance was but an interlude from an ancient era in a workday preparing for university classes and a keynote address. Photos will have to suffice to evoke the special atmosphere.
I've been surrounded by people of #Japanese and Asian heritage since my 20s in #Hawaii, so it's an odd feeling to see mostly foreign tourists in #Kyoto on a weekday. They seem to be fanning out to places I go for walks but are less spectacular than the famous temples you pay to enter. In the future I think much of #Japan could be like Hawaii, with tourism and immigrants like myself attracted to the relatively well-preserved culture and nature.
On a typical spur-of-the-moment walk, I spent no money except on a short train ride and walked through the tourist street past Gion, through Yasaka Shrine and Maruyama Park to the temple Chion-In. It's a headquarters of a major Pure Land sect with numerous parishioners, some tending to their ancestors, unlike either the open air museum type of temples or Zen centers.
I slipped into Kyōto and back home just before an explosive thunderstorm. Limited to four photos and captions, here is a bit of the flavor of Chion-In.