histodons

This magazine is from a federated server and may be incomplete. Browse more on the original instance.

oatmeal,
@oatmeal@emacs.ch avatar

“It’s not just even that they invested in these companies and made dividends off of or got customs revenue, It’s that they were willing to have their brand literally branded into the flesh of people. This was because, at the time, the slave trade was seen as the way to build an empire and the way to make money to funnel money back into the royal pocketbook.”
https://www.washingtonpost.com/world/2023/09/28/slave-trade-monarchy-uk-archives/
@histodons


_bydbach_,
@_bydbach_@hcommons.social avatar
poemproducer,
@poemproducer@systerserver.town avatar
poemproducer,
@poemproducer@systerserver.town avatar

@histodons

Seema Alavi, "Sovereigns of the Sea: Omani Ambition in the Age of Empire" (India Allen Lane, 2023) New Books in African Studies

brian_gettler,
@brian_gettler@mas.to avatar

My next band: the Fantom Fingers of Microfilm. Who's with me, ? @histodons

cdanby,
@cdanby@mastodon.social avatar

@brian_gettler @histodons I like the ghostly hands in scanned books.

brian_gettler,
@brian_gettler@mas.to avatar
dbellingradt, German
@dbellingradt@mastodon.social avatar

This painting by Peter Cramer is rich in detail, dear - peppercakes, street selling activities in an early modern European urban setting, broadsheets glued to a wall, etc.

But what on earth is the highlighted child transporting on its shoulders? A wooden box full of what? Your help is appreciated! @histodons

johnshirley2024,
@johnshirley2024@wandering.shop avatar

@dbellingradt @histodons musical instrument i bet

edwinek,
@edwinek@mindly.social avatar

@dbellingradt
Never mind the box. Until I zoomed in I thought it was a giant rat walking on its hind legs. That's a very ambiguous hat, kid.
@histodons

paigeroberts,
@paigeroberts@historians.social avatar

CFP: Cemeteries, Graveyards, and Massacre Sites
The Public Historian special issue

Proposals for alternative formats, such as reports from the field, interviews with practitioners, and roundtable discussions, will also be welcome. Proposals, which should be no longer than one double-spaced page, should be submitted to The Public Historian at [email protected]. Deadline Dec 1, 2023.

@histodons #histodons

Drdonnayates,
@Drdonnayates@archaeo.social avatar

@paigeroberts @histodons do you happen to have a link for this call? I'm having trouble finding it anywhere...but that could be my dodgy train Internet connection.

CitizenWald,
@CitizenWald@historians.social avatar

Just read this, which is fine:

Why Separating Fact From Fiction is Critical in Teaching US
https://studycivilwar.wordpress.com/2023/09/27/why-separating-fact-from-fiction-is-critical-in-teaching-us-slavery/

But my head & that of all @histodons will 🤯 upon reading this drivel

"In our view as cultural anthropologists, the disputed sentence is true as define facts – tiny nuggets of truth one can find in archives, artifacts & diaries"

This caricature is so hard to eradicate. Luckily I am teaching new students otherwise from Day 1

https://www.historians.org/research-and-publications/perspectives-on-history/september-2018/why-read-emwhy-learn-history/em-(when-its-already-summarized-in-this-article)

woid,

@CitizenWald @histodons Interesting that the authors focus (barely) on the reception of the teaching techniques applied at Williamsburg. They understate the unmitigated disaster of the enterprise at Williamsburg proper and the (now closed) woke annex at Carter's Grove.

I used to discuss Williamsburg /Carter's Grove as an example of the history of (Art) History-making. To a class about 80% Black. Went over well.

woid,

@CitizenWald @histodons
Basically I recycled Eric Gable, Richard Handler and Anna Lawson, On the Uses of Relativism: Fact, Conjecture, and Black and White Histories at Colonial Williamsburg, American Ethnologist Vol. 19, No. 4 (November 1992), , pp. 791-805, which has some devastating anecdotes. The bit about whether or not to reference watermelons (because after all that's historically accurate) is worth the price.

dbellingradt, German
@dbellingradt@mastodon.social avatar

Well, around 1500, in Swiss St Gall, nuts were distributed in memory of specific events. Such "memory nuts", as Carla Roth (in her The Talk of The Town" book) calls them, were reminders of old or to be renewed memories of events, things, power constellations etc.

It's a play on words: the contemporary German "Gedächntnuss" (memory) contains "nuss": nut.

@histodons

Irisfreundin,
@Irisfreundin@troet.cafe avatar
dbellingradt, German
@dbellingradt@mastodon.social avatar

Note to myself: The reception of Smith is different to the reception of The Smiths. Don't mix Adam with rock bands. @histodons

alexanderhay,
@alexanderhay@mastodon.social avatar

@dbellingradt @histodons Dunno... Perhaps this is the supergroup we need right now?

dbellingradt,
@dbellingradt@mastodon.social avatar

@histodons On the other hand, "Wealth of Nations" is also the title of a mid-eighties 7'' vinyl from the US Punk band SS-20 (maybe widely known for the hit "Is Elvis listening?"). And "The Queen is Dead" has been used for book titles many times, for example from Kate Locke to Stan Grant. So much for Smith(s') reception for today.

brian_gettler,
@brian_gettler@mas.to avatar

"On a tear, and undeterred by mere facts." Donald Wright, president of the CHA, describes the maddeningly inaccurate and stupidly conspiratorial claims re: made by the leader of the federal Conservatives, the man who will likely become 's next PM.

"[W]hat we deserve is an honest recognition that history is complicated, and always has been.... no one wants to live in a society where there is only one version of the past." @histodons

https://ottawacitizen.com/opinion/wright-poilievre-is-wrong-no-one-is-deleting-canadian-history

themamiyaman,
@themamiyaman@mstdn.plus avatar

@brian_gettler @histodons He's never going to be PM.

brian_gettler,
@brian_gettler@mas.to avatar

@dairpo @histodons It's a fairly innocuous piece. Wright mostly just points out the obvious - changing the images in passports doesn't erase history. And that this whole talking point in the right's culture wars is absurd: societies re-evaluate their stories over time, this is what history is.

poemproducer,
@poemproducer@systerserver.town avatar

also dealing with heavy anniversary over here, on our island

'The Russians repeated the massacre in early January 1715 and once more afterwards. As a result of these events, Hailuoto became an uninhabited wilderness.'
https://yle.fi/a/3-12072751

https://threadreaderapp.com/thread/1398283145384972295.html

history is full of wars and massacres. One took place in Murhaperjantai - Murder Friday - in Hailuoto, Finland, part of Isoviha (Great Wrath)
https://niuniente.tumblr.com/post/661061463890411520/300-years-since-isoviha-massacre-in-hailuoto

if you have any knowledges send me please @histodons

poemproducer,
@poemproducer@systerserver.town avatar
poemproducer,
@poemproducer@systerserver.town avatar
estruppi, French
@estruppi@sciences.re avatar

Bonjour les historien.nes (et peut-être les personnels de musée ?), une collègue cherche à voir des outils utilisés par D’Orbigny pour mesurer des coquillages, l'héliocomètre et le conchyliomètre, est-ce qu'il en existe à Paris ? (Est-ce qu'il en existe encore ?) @histodons https://www.gutenberg.org/files/55264/55264-h/55264-h.htm#p529

NFerey,
@NFerey@mamot.fr avatar

@estruppi
Votre collègue aurait sans doute intérêt à contacter le Museum d'histoire naturelle
https://www.mnhn.fr/fr/faq-contacts
et l'Association française de conchyliologie ?
http://www.xenophora.org/index.php
@histodons

HuShuo,
@HuShuo@mastodon.social avatar

From the Shanghai Musuem (via
@peharch on twitter)

@histodons

andiechu,
@andiechu@o3o.ca avatar

@HuShuo @histodons Sir, you just can’t explain to our audiences how we lied about our history.

rmathematicus,
@rmathematicus@historians.social avatar

@HuShuo @histodons

I got told off for doing this in a museum in Nürnberg

todzi, German
@todzi@historians.social avatar

Thank you for the interest in our section "German revisited" at this year's
@historikertag . It was an exciting discussion.
@histodons

image/jpeg
image/jpeg
image/jpeg

aufsmaulsuppe,
@aufsmaulsuppe@chaos.social avatar

@todzi @historikertag @histodons Are the any recordings of the panel? Audio/maybe even video?

todzi,
@todzi@historians.social avatar

@aufsmaulsuppe @historikertag @histodons no, unfortunately. There will be a report on the panel on Hsozkult later this year and we are trying to get our papers published in a historical journal (but that won't happen until late next year).

WerkstattGeschichte, German
@WerkstattGeschichte@openbiblio.social avatar

#WerkstattGeschichte 86/2022 nun komplett online verfügbar:
https://werkstattgeschichte.de/alle_ausgaben/papierkram/

🧵 1/3

Im Thementeil "papierkram", hg. v. Michaela Hohkamp, Beiträge

▶️ zum Beginn der Papierherstellung im dt. Südwesten im späten 14. Jh.

▶️ zur wachsenden Bedeutung von #Papier in habsburgischer Kriegsverwaltung Ende des 17. Jh.

▶️ zu den Papieren von Schriftstellerinnen als Ressource im Literaturmarkt um 1800

▶️ zum Verschwinden des Papiers aus wissenschaftl. #Bibliotheken im 20. Jh.

#histodons @histodons

Auszug des Inhaltsverzeichnisses von WerkstattGeschichte 86/2022 mit den Beiträgen des Thementeils "papierkram".

WerkstattGeschichte,
@WerkstattGeschichte@openbiblio.social avatar

86/2022 nun komplett online verfügbar:
https://werkstattgeschichte.de/alle_ausgaben/papierkram/

🧵 2/3

Der Mittelteil bietet:

▶️ Ulrich Prehn über fotografische Inszenierungen von "Kriegstrauungen" deutscher Soldaten in beiden Weltkriegen

▶️ Thomas Etzemüller über seine doku-fiktionalen Erinnerungen eines deutschen Rassenanthropologen

▶️ Johanna Lessing in der kleinen -Rubrik über ein paraffiniertes Herz einer medizinhistorischen Sammlung

@histodons @historikerinnen

WerkstattGeschichte,
@WerkstattGeschichte@openbiblio.social avatar

#WerkstattGeschichte 86/2022 nun komplett online verfügbar:
https://werkstattgeschichte.de/alle_ausgaben/papierkram/

🧵 3/3

▶️ Für die #Filmkritik wirft Maxi Braun einen neuen Blick auf die tabubrechende filmische Inszenierung homosexueller Subkultur in "The Boys in the Band" (1970)

▶️ Für die #Expokritik haben Christian Curtil & Ulrike Blumenthal getrennt voneinander das wiedereröffnete Pariser Stadtmuseum Carnavalet besucht

▶️ Außerdem 14 kritische #Rezensionen u.a. von @nikolaiokunew

@histodons @historikerinnen #histodons

TheConversationUS,
@TheConversationUS@newsie.social avatar

Murdoch’s departure from Fox News is likely a positive for Biden, who has benefited from a string of setbacks for conservative media during his presidency.

Here’s some of the context from a media historian:

https://theconversation.com/media-mogul-rupert-murdoch-resigns-extending-joe-bidens-ongoing-good-luck-streak-with-the-media-214115
@histodons

PSJ_MG,

@TheConversationUS @histodons I would, on the other hand, propose that the chaos in the right wing media has had little effect in improving Biden’s image or popularity, as is clearly shown with his current low approval ratings. This article proposes a potential cause without describing any effect.

  • All
  • Subscribed
  • Moderated
  • Favorites
  • random
  • uselessserver093
  • Food
  • aaaaaaacccccccce
  • [email protected]
  • test
  • CafeMeta
  • testmag
  • MUD
  • RhythmGameZone
  • RSS
  • dabs
  • Socialism
  • TheResearchGuardian
  • Ask_kbincafe
  • KbinCafe
  • oklahoma
  • feritale
  • SuperSentai
  • KamenRider
  • All magazines