There was a drug store in Shenandoah, Pennsylvania that plays prominently in my novel, ANYWHERE BUT SCHUYLKILL. It was run by a Polish immigrant known as Doc Luks. He was sympathetic to the miners and would often provide medicine and treatment for free during strikes, when the workers had no money to pay him.
His son, George Luks, became a successful artist, of the Ashcan School, a politically rebellious art movement that was influenced by Walt Whitman’s “Leaves of Grass,” and which portrayed the everyday lives of working class people and immigrants. Luks’s art, in particular, was influenced by the poverty and oppression suffered by the miners he grew up with.
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