There was a drug store in Shenandoah, Pennsylvania that plays prominently in my novel, ANYWHERE BUT SCHUYLKILL. It was run by a Polish immigrant known as Doc Luks. He was sympathetic to the miners and would often provide medicine and treatment for free during strikes, when the workers had no money to pay him.
His son, George Luks, became a successful artist, of the Ashcan School, a politically rebellious art movement that was influenced by Walt Whitman’s “Leaves of Grass,” and which portrayed the everyday lives of working class people and immigrants. Luks’s art, in particular, was influenced by the poverty and oppression suffered by the miners he grew up with.
“Michael Dunn has created the characters that bring the 19th Century's Mine Wars to life for today's readers. Anywhere but Schuylkill will remind readers of John Sayles and Tillie Olsen and the best in the long tradition of labor literature.”
—James Tracy, co-author of Hillbilly Nationalists, Urban Race Rebels and Black Power: Interracial Solidarity in 1960s-70s New Left Organizing
"Anywhere but Schuylkill" by Michael Dunn - coming soon from Historium Press! Check it out!! http://wix.to/M9gMx11
“The Banshees of Inisherin and 1917 are two of the best historical films I’ve seen in recent years, particularly the cinematography. Yet the visuals Michael Dunn creates in Anywhere But Schuylkill, are richer, more vivid, more imaginative, and more haunting and indelible than what I recall in those brilliant films. It’s like the author transports himself to each scene and brings to life each physical detail, each expression, each emotion, and each word of dialogue with the care of a Renaissance painter.”
—David Aretha, award-winning author of Malala Yousafzai and the Girls of Pakistan and Martin Luther King Jr. and the 1963 March on Washington.