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Alien Monster II - H R Giger (1978) (4.bp.blogspot.com)

Artist Hans Reudi Giger, was a Swiss-born proponent of “biomechanical art” blending human and machine. His work in the 60s and 70’s went on the influence monster and set design for the Alien film series. He often collaborated with his muse and sometimes lover Li Tobler until her death at age 27. Her face is visible in some...

Bonaparte Visits the Plague Stricken in Jaffa - Antoine-Jean Gros (1804) (upload.wikimedia.org)

At the Salon of 1804, Gros debuted his painting Bonaparte Visiting the Plague Victims of Jaffa. The painting launched his career as a successful painter. It depicts Bonaparte in Jaffa visiting soldiers infected with the bubonic plague. He is portrayed reaching out to one of the sick, unfazed by the illness. According to P. Jill...

The Photographer - Chigozie Obi (2020) (www.gasworks.org.uk)

One of the most exciting modern artists I have stumbled across since starting these essays. Obi is a Nigerian artist with impressionist and expressionist tendencies with beautiful execution and style. Here we see she also plays with framing and separation, the photographer’s left hand on a camera is separate from the main...

Double headed serpent mosaic - Aztec (1400-1500s) (www.britishmuseum.org)

From the British Museum - “An icon of Aztec art, this turquoise mosaic was carved from one piece of cedar wood before being decorated with turquoise, coral and shell using an adhesive made from pine resin. In Mesoamerica, serpents were associated with powers of regeneration and the ability to move between living and ancestral...

Skyscapers and Tunnels - Fortunado Depero (www.italianmodernart.org)

Italian Futurism was officially launched in 1909 when Filippo Tommaso Marinetti, an Italian intellectual, published his “Founding and Manifesto of Futurism” in the French newspaper Le Figaro. Marinetti’s continuous leadership ensured the movement’s cohesion for three and half decades, until his death in 1944....

Wedged into the inhabited area - Tullio Crali (1939) (www.valutazionearte.it)

Incuneandosi nell’abitato is one of the most famous Futurist aeropaintings. It portrays some buildings seen from above, from the point of view of a pilot who is dangerously ‘nosediving’ on the city. The point of view is set just behind the pilot, so we can see his head and shoulders and the inside of a cockpit from which...

Saint-Séverin No. 3 - Robert Delaunay (1910) (www.guggenheim.org)

Robert Delaunay chose the view into the ambulatory of the Parisian Gothic church Saint-Séverin as the subject of his first series of paintings, in which he charted the modulations of light streaming through the stained-glass windows and the resulting perceptual distortion of the architecture. The subdued palette and the patches...

Sacrifice - Mark Rothko (1946) (www.guggenheim.org)

In the 1940s Rothko, together with his friend Adolph Gottlieb, believed that the painting of myth, with allusions to tragedy, was the proper response to the horrors of war, the Holocaust and the atom bomb. He once wrote, with Friedrich Nietzsche in mind, that ‘only that subject matter is valid which is timeless and tragic’....

The Shelton with Sunspots - Georgia O'Keeffe (1926) (www.artic.edu)

“I went out one morning to look at the Shelton Hotel and there was the optical illusion of a bite out of one side of the tower made by the sun, with sunspots against the building and against the sky,” said Georgia O’Keeffe, recalling the precise moment that inspired her to paint The Shelton with Sunspots. Although her...

Morning on the sea - Finnur Jonsson (1927) (i.pinimg.com)

Finnur Jonsson was one of the pioneers of abstract art in Iceland and was the first to show such works there. He also made portraits of people and nature and traveled. He worked a lot on the social issues of visual artists, wrote in newspapers and got into debates about visual art, he also worked extensively in goldsmithing and...

Advance of History - Mark Tobey (1964) (www.guggenheim.org)

Mark Tobey’s animated matrices of brushed line, like the mature works of Jackson Pollock, are allover compositions. That is, unlike conventional representational paintings, they have no discernable center of focus, no single emphasized portion. Even Cubist works maintain vestiges of pictorial illusionism through an increased...

The Italian Woman - Henri Matisse (1916) (www.guggenheim.org)

Henri Matisse often painted the same subject in versions that range from relatively realistic to more abstract or schematic. At times the transition from realism to abstraction could be enacted in a single canvas, as is the case with The Italian Woman, the first of many portraits Matisse painted of a professional Italian model...

Composition - Joan Mitchell (1962) (www.guggenheim.org)

Though a leading voice in the Abstract Expressionist movement and one of their rare women artists to achieve critical and financial success in her lifetime, Joan Mitchell painted in a manner subtly distinct from her Abstract Expressionist peers. Hers was an idiosyncratic style defined by a varied use of color and with a...

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