A joy to be at Clare College to unveil the stone sculpture of the 1359 seal - greatly enlarged for visibility! Wonderful workmanship by Cardozo Kindersley Workshop, http://kindersleyworkshop.co.uk
The skill of the medieval silversmith & the modern stonecarvers was celebrated in a third medium with our project mementos! These were made by Cameron Newham FSA, using photogrammetry, 3D-printing, & handpainting. Tiny medieval treasures & large stone sculptures are both hard to move: these small replicas are a delight!
The skill of the medieval silversmith & the modern stonecarvers was celebrated in a third medium with our project mementos! These were made by Cameron Newham FSA, using photogrammetry, 3D-printing, & handpainting. Tiny medieval treasures & large stone sculptures are both hard to move: these small replicas are a delight!
The seal, first used in 1359, is "an extraordinary depiction of female vision, & female faith in the importance of education, & a woman's power & ability to accomplish that vision... We have one of the world's greatest stonecutters a mile up the road, who also happens to be a woman."
Informative & entertaining talks by Jackie Tasioulas, & Lida & Roxanne Kindersley, preceded the unveiling of the sculpture, & are online at https://stories.clare.cam.ac.uk/unveiling-of-lady-clares-seal/ #LadyOfClare#StoneCarving#ClareCollege
In 2020 we published a 2nd edition of the definitive biography of the #LadyOfClare - & then we learned more about the evolution of her heraldic & visual identity. New insights came from archaeology, from archives, & from drawing & carving which brought details from hands to eyes. Two books now available at #ClareCollege: booksites https://barnes1.net/FHGE/ & https://barnes1.net/seal/