Episode Discussion | Star Trek: Strange New Worlds | 2x09 "Subspace Rhapsody"
LoglineAn accident with an experimental quantum probability field causes everyone on the USS Enterprise to break uncontrollably into song, but the real danger is that the field is expanding and beginning to impact other ships—allies and enemies alike.
Touching on the actual character moments for a bit here: the events of this episode do not reflect well on Chapel.
She’d been hitting on Spock literally since the beginning of the show, and openly pining after him for most of that time. Four episodes ago, she winds up breaking down in tears explaining to an alien telephone receptionist how much she cares about him. Two episodes ago she is extremely distraught when Boimler accidentally lets slip that Spock is famous in the future, and her relationship with him almost certainly will not last. And now, she gets into a three month fellowship that she didn’t think she had much of a chance at, doesn’t say a word to Spock until she has no other choice, and then busts out a (involuntary, but reflective of genuine emotion) musical number about how “free” she feels. What the hell.
We already know Chapel has some problems with commitment, but this is a whole 'nother level. Throwing away a relationship she spent most of this show obsessively wishing for, without any apparent consideration for Spock’s feelings or non-breakup solutions to spending a couple months apart, is just wild. I’m sure the finale will touch on this with a little more nuance than a musical number was likely to give, but whatever else is said this is not a good look.
It doesn’t reflect well on her, but it does feel sort of…real, in a way that people can sometimes be shitty in real life. She’s tangled herself up emotionally for a long time with someone who for various reasons just isn’t going to be a good romantic partner for her, and there’s certainly a bit of catharsis in realizing “oh maybe I just can stop trying to make this work and stop feeling bad at how I can’t ever seem to make it work”. Because the whole Spock thing clearly has been making her miserable, because she loves him but somehow it seems impossible to turn that into a whole emotional relationship. Its just that immediately after that moment, if you really care, you still need to go check on the person you’re hurting. I really do hope they get a moment in the next episode to get some actual closure with each other.
On top of feeling real, it feels true to the characters that the show has developed over the past two seasons. It’s not empathetic of her, but this feels exactly like the Christine we’ve been shown.
On top of that, it’s a good lead up into the awkward relationship we got in TOS between the characters. Where Chapel seemed to sadly crush on Spock from afar.
My reading was that Boimler’s slip-up and the knowledge that she wouldn’t be a significant part of Spock’s life (at least viewed from a historical perspective) was what caused Chapel to pull away from Spock, and end up sabotaging the relationship. But tragically - time-travel shenanigans and all that - who’s to say whether or not that’s the way things were always going to happen?
The opportunity the fellowship provides allows her to envision a positive, worthwhile future for herself, where she is free from the boundaries she’d previously imagined, and can let go of her disappointment that the path she yearned to travel with Spock was one she wasn’t destined for.
It does feel very quick, given how long they spent teasing the two of them together. This was one of my problems with s1 as well, starting off character arcs and then wrapping them up way too soon (M’Benga’s daughter, for example).
The main thing that bugged me with M’Benga’s daughter is that they’ve basically just retconned how many people understand the way they can use the transporter buffer that was seemingly novel to the TNG folk when they came across Scotty inside of one during Relics. Geordi was all like “what is going on with this transporter” but this season you have Chapel and M’Benga using it as an active stasis system for triage purposes. (Although now that I read what I wrote, that’s just like two more people who know it, and using the Klingon war as a way to establish the knowledge is pretty good.)
Just kind of seems like it would either be more widespread of a use-case in medical scenarios or have some kind of super major drawback in addition to storage capacity like general degradation. Then it would make sense that Scotty pulled another miracle and kept himself from degrading for 100 years.
Yeah, the part that puzzled Geordi was the transporter was able to hold a pattern for nearly 80 years. SNW shows M’Benga had to pull his daughter out periodically to keep her pattern from degrading.
It does though. As the others said, Scotty did have to jury-rig some modifications for long-term storage and even then he wasn’t able to save the other survivor long-term.
It was my impression that she was so shitty to him because of Boimler’s little slip up. She definitely could have been kinder, but she knows she isn’t even a blip in Spock’s life. I think she feels she might as well move onto something where she can make an impact and be remembered, like her career. She is probably bitter, and it came out that way as we are all so uninhibited when we spontaneously break into song.
I interpreted that song very differently. When Boimler spoke with Chapel, she didn’t just realize that her and Spock wouldn’t be together long term but also realized that Boimler didn’t really know her like he knew Spock.
Spock goes on to do amazing things and every detail of his life is recorded in books that people over a century later will read and, essentially, worship him. Chapel isn’t even a cliff note. In her mind, she must feel like she makes no difference and gets down on herself. When she gets the fellowship, it renews her confidence and let’s her know that there is a whole universe of possibilities in front of her.
That was my interpretation of her feelings in the song but I can see others as reading it differently.
100% this. At first I was really salty that Chapel would just bail on Spock as soon as something more interesting came along, @williams_482, describes my initial thoughts exactly. Then I remember how Boimler accidentally crushed her, even going so far as to say that Spock does some important things in the future that rely on him behaving very Vulcan.
Imagine how she felt, finally getting the guy you’ve been pining over only to find out that the universe really needs you two to not be together. Or at least, not be together in the way you wanted to be. We’ve even seen her struggling with it in the time since Boims spilled the beans. I can totally see why she feels she needs to move on. I don’t agree with her “I’ll leave you to get ahead” attitude, but I can understand it.
Nope, can’t do it. I was afraid of the LD crossover but I got through it. But this, I can’t watch it. I got through a couple minutes and had to turn it off.
Hmm, it looks like we’re not allowed to dislike the musical episode here… Regardless, I’m with you.
With rare exceptions, I just can’t stand musicals. The forced jauntiness, hollow emotion, and in this case autotuned singing. Ugh! Give me normal acting or give me death (today is a good day for it).
I don’t like musicals… at all. But I really enjoyed this episode, and found it quite fun. The whole cast is so good. I hope this series goes on for many years.
I am just the opposite. I love musicals and I love Star Trek, but this one was my least favorite of the season. Don’t get me wrong, I appreciate them trying something innovative for the Trek series. I enjoyed seeing the actors working outside the box. But overall it didn’t give me the joy that the other episodes have.
Loved it. I was most surprised that the whole cast all had such beautiful singing voices.
La’an’s song touched me the most because I’m someone who also doesn’t really dare to do the things I’d like to do.
A bit sad that we didn’t get a Klingon opera but the alternative was … well, interesting too. 😄 Also, I kinda hope that Spock solving diplomatic crises with the Klingons by drinking excessive amounts of blood wine will become a running gag.
Addendum: after watching it again I realized that (for the first time?) several male background extras were wearing the dress-type uniform variant that only the women used to wear.
Are we getting the unisex skant back? Hell yeah! I love this show.
They can both be seen in the corridors. The first one (in a red uniform) walks by Ortegas when the ship is hit by the energy field at the beginning. The other one (in a blue uniform) walks by Number One and Kirk during their song.
There may be more but those are the two that I spotted.
Yep, there they are. It’s less noticable because everyone wears pants/leggings under them, unlike in TOS/TNG, where a skirt/skant meant bare legs. The effect is almost more like a long tunic or jacket.
Maybe Pike keeps the ship’s environmental settings a little colder than the others, so nobody wants to free the knees.
Maybe Pike keeps the ship’s environmental settings a little colder than the others, so nobody wants to free the knees
I dunno about nobody considering the recuring background andorians (give me slim blue men in skimpy minidresses you cowards!/s) clearly 23rd century fabric just breathes really well.
La’an’s song was the most emotional and heartfelt, but it went on way too long.
Uhura had the best song and the best performance, I thought. Celia Rose Gooding is a goddamned treasure, and it’s a treat to see them finally really putting that character to good use on a consistent basis.
Is there somewhere a list of the songs that Ford was parodying in How Much For Just The Planet? Even though I'm a huge musical theatre nerd, I didn't get some of the references in the book and it always bugged me.
(And speaking of John M Ford: Personally I still regret that the Klingon culture that the franchise developed through TNG and subsequent shows differed so much from the one Ford created in The Final Reflection.)
It’s a puzzle that has confounded readers for years. There are some obvious ones like “Rawhide”, but a lot are still unidentified. Here’s a good attempt at it.
I love Star Trek, and I love musicals. These are two of my favorite things, and I never thought they should mix. When this was announced, I was very skeptical. I have to say, that they pulled it off, and it was AMAZING! The plot was a bit meh and definitely made to shoehorn in the musical, but the singing really did it for me. “How Would That Feel” (La’an’s solo) and “Keep Us Connected” (Uhura’s solo) were my favorite songs, and I have listened to them so much today. “How Would That Feel” definitely cemented La’an’s place as my favorite character.
I hated it, because I hate musicals, but I love that it happened. I loved watching it and hated every godamn second.
Please… no more… but I’m glad this happened and I’m glad people that like musicals seemed to more or less have enjoyed it.
Just… I’m begging… no more.
edit: it was incredibly charming. I still hate it. It’s cannon and I wouldn’t have it any other way, but I hate it. There is no way I am the only person like this.
You’re not alone. I hate musicals. Love that they can have fun like this in Trek, but please never again please because I’ll have to watch that one too.
There were some excellent bits, but I wish it didn’t take up one of the ten-episode slots. They did loop in Kirk’s kid, so that was an excellent plot beat, as was the TOS soundtrack. I didn’t have a problem with the concept (“Wha if…”); Spock / Chapel / Pike / M’Benga had great tunes and didn’t mind Ortegas and Klingons doing Tope 40 boy-band is 20 yrs of meme material. The finale was uneven.
Outside of the individual elements and the “Strange New World” concept … it was rough, especially knowing how good the show can be, and it took one of the spots for THAT goodness. Wish we had 15 episode seasons.
I hear you on the “ten episode” bit. I HATE that that became standard. It’s some real garbage and has hurt a lot of different shows. The Last of Us was generally amazing, but suffered from rushing a bit. Without spoilers, there’s an episode where they expand on a minor gay character from the game, and the main characters aren’t in it much. The episode is amazing, and also got a ton of hate because the internet is awful, but one very valid critique is that in spending the entire episode in that wonderful little vignette, you had to rush beats of other episodes. That could have been fixed by simply having more episodes in the season.
Point is, somewhere shrinkflation hit our TV shows and I hate it lol.
I agree. As a fellow musical lover (I'm posting from the intermission of a touring Broadway show) the writers clearly understand what the music in musicals is meant to represent. La'an's and Uhura's solo numbers definitely gave some emotional insight into both characters that I feel benefited the show beyond just being decent musical numbers.
The autotune was painful in a few moments for certain actors but hey, they're not professional singers, and I would have loved a bigger dance number, but I know that's pushing it.
Another musical theatre Star Trek fan who finally caught up with the episode. Obviously I loved it. The writers took their cue from "Once More With Feelings" and used the "very special episode" conceit to progress seasonal character arcs (as they did with "Those Old Scientists"). You could tell was the intent even from the "previously on" recap with a bunch of relationship tensions ready to be revealed through song. (The bunnies reference was a nice nod to the Buffy episode.)
I knew Celia Rose Gooding could sing (although, sadly, she was off when I saw Jagged Little Pill on Broadway), so the actor whose vocal chops surprised me most was Christina Chong. I see from her wikipedia entry that she was actually in the Elton John musical Aida in Berlin, so that makes sense now.
Maybe my favourite minor running gag was how the characters always heard and acknowledged the backing music - in dialogue or with just a glance. I could go on a pretentious detour on mimetic vs diegetic music, but won't.
But I wasn't blind to some of the episode's flaws either. The biggest to me was that the songs lacked the craft and polish of really good musical theatre songs, with (for instance) many imperfect rhymes and awkward prosody (putting the stress on the wrong syl-LA-ble of a word). Crazy Ex-Girlfriend, a show that I loved, suffered from the same issue.
A minor complaint is that I didn't think we need the rules of musical theatre to be so explicitly lampshaded by the characters, although La'an treating it as security (and personal, emotional) risk was cute - and in character.
Christina Chong reportedly switched to auditioning for television roles after an injury sidelined her musical theatre career for a time. It doesn’t sound as though she ever expected the kind of role she has with La’an.
She’s currently releasing a series of music videos for an album. The next one will come out at 4:00 pm EDT today August 7th. You can check out her other offerings on her YouTube channel. I’ve posted her release of two weeks ago to the Quark’s community here on this instance as it seems the better place to follow her singing career outside of the franchise.
Oh god, “Once More With Feeling” was the first musical TV episode that stuck with me. So much passion in that episode and it brought to a head so many issues the characters had been dealing with up to that point. It still stands out as my favorite episode of the entire series.
Guess I’m going to have to rewatch this episode, I missed the bunny reference!
I loved the episode. I’m not a huge fan of American musical theatre, but this really worked for me and my partner.
The tone was just right and the songs were well matched to the skills and characters. It’s delightful.
It was also really nice to come to this community and soak up all the positivity. I really needed a place to come like this after watching episodes. As we see it a bit later on CTV Sci-fi Channel in Canada, I can often feel blasted with fan backlash when I check out people’s views after watching.
Yes, there are a few folks here for whom this isn’t there kind of thing, and they are letting us know. We’ve not however seeing brigading negativity that is cropping up on some other social media. I can appreciate that some want their Trek more dignified and serious, but the ‘worst thing ever’ hyperbole is a bit hard to take when Threshold and Code of Honor exist.
I think the main split in the Trek fandom now is how serious a tone people tend to prefer. Most of TNG was professionalism porn, and most of the 90s stuff was generally serious. A lot of people got used to that, and whenever I talk to them about stuff like SNW or LD, their chief complaint is that “the characters act immature and are too quippy”. To an extent, I can agree and see the point of view, but on the other hand, I really like it when Trek doesn’t take itself too seriously.
I like to argue that the TOS era was a less mature era of Starfleet in general which causes the familiarity with the bridge crew to be more socially profound as opposed to professionally based. To whit, I remember SNW directly addressing things like this wherein they discuss “General Order 1” being renamed “The Prime Directive” which I feel is evident of a maturing organization.
Strange New Worlds doesn’t take itself seriously unless it has to. It’s been great about totally experimenting with the Trek formula to create unique, fun and memorable episodes. The plot devices are straight out of the 70’s, with random space anomalies impacting the crew. They modernize the storytelling and keep up the pace, which is always just what the TOS era needed.
I’d disagree that all the 90s series were too serious, they all took time out for more wacky stuff but they were hidden in 24 episode or more series. DS9 for example had loads of Ferangi family sitcom stuff, the bond episode, the baseball one, the heist, worfs wedding, all the mirror universe episodes, the TOS crossover, etc all within the backdrop of the bajoran restoration and then the dominion War.
Most of the people who argue that the new stuff is not serious enough would probably consider most if not all of those sillier episodes from the old days to be not worth watching. There’s tons of DS9 watch orders that are like “Skip the Bajoran restoration, don’t watch the Ferengi episodes, don’t watch the Mirror Universe, etc”
TOS could be downright goofy sometimes. Tribbles, Harry Mudd and his android wives, Spock jamming with the Space Hippies™. Sure, there were heavier episodes like City on the Edge of Forever, but ... c'mon, it was the 60s! Not everything could be US Space Navy vs the Evil Aliens.
In between the first watch earlier this week and a rewatch tonight, I’ve listening to and humming the songs over and over again. I don’t know why people say the songs aren’t catchy. “Status Report” is sooo catchy, and it even has a little reprise with the “Apologies” at the beginning of the “Private Conversation” which is also very catchy actually.
“How Would That Feel” is beautifully rendered. I’ve started to listen to other Christina Chong’s songs now, and they are pretty good (listen to her “Twin Flames”).
Also, in the last seconds of the episode we had Uhura humming a theme. The closed caption says “Uhura humming ‘Keep us connected’”, which I believe is incorrect. She is humming the opening of Chapel’s “I am Ready” and Spock’s “I am the X”, not Uhura’s “Keep us Connected”.
SNW playing with the format we all know and love continues to pay off.
Trek has a very, very long history of the space anomaly of the week causing hijinks to ensue. And these hijinks were epic. Especially considering the sheer amount of raw broadway-class talent SNW has.
And the foreshadowing with the drinking-song-belting, sea-shanty-and-opera-loving Klingons getting pissed off about the “we have to sing everything” bit was hilarious (and Pike’s “WTF” face was the icing!)
Not every episode has to be about something. In fact most of them aren’t, they’re all one-offs. They go to a thing, some problems happen, they solve those problems. It can be thrilling, scary, intriguing, or silly.
None of these grand arc stories where every moment of every episode is so important that if you blink you’ll be lost for the rest of the show. None of these “very special message” episodes either. Just random space adventures most of the time. It worked in the 60s and it’s working today.
Looks like they even made a soundtrack for this, and it is on all major streaming services. Some new tunes for my musical playlist. Seriously loved this episode.
If I had a nickel for every time Uhura solved a problem by singing at it, I’d have two nickels. That’s not a lot, but it’s the same number as how many times Chakotay’s been lost in the Delta Quadrant.
This was a fun episode. Some bangers, though I agree with some of the people who think some songs could have been shortened. The unexpected Klingon boy band was an amazing gag that didn’t overstay its welcome. Overall, I think it’s great to have Trek embrace the old-school campiness from time to time.
Anyone else convinced Captain Batel is kinda doomed? Pike got off the relationship trauma fairly easily in this episode.
I mean never say never? If I’m remembering the Cage correctly the Talosians at least thought there would be potential there. Though this is the much younger and possibly a little sexist Pike.
The story and plot points were good, but SOME of the songs where maybe a minute too long for my taste. Any song with Spock is good, but the autotune… Yikes. Lol
My thought was, how bad would it be without autotune? 😬
I just enjoyed it for what it was at surface level, though. First, the Orville, then lower decks and now this showed that star trek is big enough to be funny and thought-provoking.
I would prefer the singing be bad as it would align closer to reality for people that normally do not sing. With that said, it is possible this anomaly caused all the auto as it knows no one can sing and they need to be auto tuned. 🐒
I think many of the middle songs were pretty samey too.
Someone singing their angst alone in a Cgi set. Liked first and last and chapels was good, but agree others were a bit long which made the overall episdoe seem long.
I really respect them trying and there are some great moments
I abhor autotune like nobody’s business, I also loathe musicals. The combination of these two has kept me from watching this one so far. I might have to get pretty drunk one night I guess
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